Mixing The Shearing Game

Tomorrow I head into work to finish the mix on a 360 I’m working on called ‘The Shearing Game’.  It’ll air early next year and is about shearers and those that work in the shearing industry from a town in central west NSW called Hay.


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For the program I travelled to Wagga and Hay and spent a week talking to anyone and everyone about the shearing game.  In Hay I stayed with shearing contractor, Lional ‘Keeno’ Garner in his big Queenslander home with about 20 other shearers.

The program is my first full length 360 and has turned out really different to how I imagined but I’m pretty sure I’m happy with it… in a couple of weeks when I let the dust settle I’ll know for sure if it’s any good (fingers crossed..) but in any event I’ve learnt so much about the shearing industry, country towns and of course those who live it.  If anything I hope the piece will be an eye opener and insight for city dwellers.  The city/country divide is huge.

I’m mixing with the award winning Phillip Ulman for the first time and the process has been very different to other docos I’ve made, Phillip has a distinct way of working which has taken a little while to adjust to but I think I’ve worked it out.

This piece turned into a real production in the end.  The idea I had for the narration involved a bit of acting – it would be set in a chiropractor’s office and I would be telling the story to a chiropractor (having obviously just returned from helping out in a shearing shed).  A lot of thought has gone in to trying to make it engaging, sound good and not be too naff, cliche or cheesey.  Hopefully listeners aren’t freaked out by this element.

Another thing which was different in the production involved a binaural recording.  Binaural recording is when get two small microphones and insert them in your ears (or a dummy head’s ears).  By doing this you are trying to capture (record) the exact sound someone would hear if they were there themselves.  Maybe I haven’t explained that well… I’ll just explain what we did.  We put special earbuds that were microphones in our volunteer, Phillip’s head then Claudia shaved his head.  We were trying to get the sound of having a hair cut so we could make a surreal bit when a shearer explains how he shears a sheep.  When the listener listens to that section (with headphones on) they should feel like they are getting a haircut!

Still confused?  Put some headphones into your computer and listen to what I’m talking about…(here’s the raw audio of how we did it)


Two photos in the studio (256).  Steven Tilley (who plays the chiropractor in the doco) and Phillip Ulman trying to get some generator buzz out of an interview I did with a shearer in his caravan.

30th May – Vivid Kuntz

The first day of a 2 week mixing block with engineer Mark Don has just finished and I’m stuffed, totally exhausted but it was a great day.  The game plan is to master the final prog episode (ITM is doing a series on progressive rock) in the first three days and then mix the youtube piece (piece on the Youtube Symphony Orchestra) for the remaining time.

This morning we re-recorded the script – for the absolute final time.  I knew it back to front and after the training session with Tim I was really confident and feeling good about it.  We recorded it in the mixing room (as opposed to a studio) and I had no head phones on.  I was in a good fram of mind, had made the alterations to the script and was able to deliver a much more relaxed and conversational read.  I think not have cans on also really helped me for some reason – next read I’ll try it first without headphones and see if it makes a difference again.  I learnt so much from the script, it is a very difficult thing to get right (I think) and the biggest thing I learnt I reckon is to listen.  A lot of the session with Tim was just listening to myself and understanding where it sounds bad or unnatural and altering the script to make sure I don’t do it again.

I checked twitter in the middle of the day to see what was happening and found that a guy that’s here for the Vivid Live festival, Tom Kuntz, was going into Zan Rowe’s show on jjj – I had put a request in to interview him for a piece on the music video clip I’ve been wanting to make.  The publicist for the Opera House had agreed that when he went into the ABC building for Zan’s segment he could come down and be interviewed for ITM – I was shocked!  I jumped on the phone, she’d forgotten all about it and was able to tee it up afterwards… lucky, very lucky.  Fortunately in my lunck break I was able to book a studio, borrow a video camera from Digital and write a couple of questions down.  After lunch Mark pannelled the interview.  Here’s what the set up looked like:

  
The interview went well and I was excited to have a great quality camera (to DV tape) and the special light that I moved in from the breakfast studio.

Spent the rest of the day mixing prog with Mark, looks like we’ll wrap it up tomorrow.

Right now I’m watching a 4corners report by Sarah Feguson on Indonesian cattle Slaughter houses, totally horrific but important viewing.