One by One
When the flood comes, it’s not because all of the raindrops decide to join together to drop at the exact same time.
‘Podcaster’ vs. ‘podcast maker’
In 2020 I asked to go part time so I could kick off an independent podcast feed…
Content is a switch
It’s on or it’s off. It happened or it didn’t. How ‘good’ it is, is a separate issue. For it to be good, it must exist…
How long should a podcast be?
My Year 10 science teacher, Mr. McFarlane would have a lasting impact on how I think about editing audio…
Hearsay Festival is the Coachella of creative audio
The home of creative audio can’t be found in a conference centre. It’s not by the shore of a beautiful harbour. It doesn’t fit in any of the buildings along a big city skyline…
MIRP 2019, the audio conference held in a zoo
A flock of international audio producers stampeded the gates of Dublin Zoo on a crispy Spring morning. We’re here for the fourth Meeting of Independent Radio Producers (MIRP) conference…
Your guide to meeting a cool person at OzPod 2017
The most valuable part of OzPod 2017 isn’t written in the program.
How to win second place in KCRW’s 24-Hour Radio Race
In 2015, Timothy Nicastri and I came 2nd in KCRW’s 24-Hour Radio Race. Here are some tips on our strategy…
My entire family got sick and I won a trip to Ireland
Pack your bags: we’re going to Ireland.
Working with Sound: Mike Williams
The Wheeler Centre and Audiocraft have launched a new website called, The Australian Audio Guide. The Guide “explores Australian audio culture with regular interviews, features and listening suggestions.”
Sydney needs to listen more
How often do you listen to the radio with other people?
